Heading out, by Philip Booth

Chaconne, from Partita in D minor for solo violin (BWV 1004) by Johann Sebastian Bach
Transcribed for piano by Ferruccio Busoni 
With Hélène Grimau

Beyond here there's no map.
How you get there is where
you'll arrive; how, dawn by
dawn, you can see your way
clear: in ponds, sky, just as
woods you walk through give
to fields. And rivers: beyond
all burning, you'll cross on bridges
you've long lugged with you.
Whatever your route, go lightly,
toward light. Once you give away
all save necessity, all's
mostly well: what you used to
believe you owned is nothing,
nothing beside how you've come
to feel. You've no need now
to give in or give out: the way
you're going your body seems
willing. Slowly as it may
otherwise tell you, whatever
it comes to you're bound to know.


poem from Poetry magazine, April 1989
With gratitude for a wonder-full year behind and a new one ahead.

  

Imagining you’d come to say goodbye..., by Jennifer Reeser

Johann Sebastian Bach - Cello Suite No. 2 Sarabande
with Pablo Casals


Imagining you’d come to say goodbye,
I made a doll of raffia and string.
I gave her thatch hair, and a broomstick skirt
of patchwork satin rags. Around each eye
I stitched thick lashes. Such a touching thing
she was! That even you could not debate –
impassive, undemanding and inert.
Yes, surely she’d cause you yourself to sigh.
Around her breast, I sewed a loden ring
to guard her cotton heart from being hurt,
then sat down in the fabric scraps to wait,
between the rafters and the furnace grate,
needle in hand, and never so aware
no craft on earth is master to despair.



poem from famouspoetsandpoems.com

Afterwards, by Thomas Hardy

Johann Sebastian Bach - Sonata for Violin solo No 1, G minor, BWV 1001, I. Adagio
with Yehudi Menuhin, violin (recorded 1935)


When the Present has latched its postern behind my tremulous stay,
And the May month flaps its glad green leaves like wings,
Delicate-filmed as new-spun silk, will the neighbours say,
"He was a man who used to notice such things"?

If it be in the dusk when, like an eyelid's soundless blink,
The dewfall-hawk comes crossing the shades to alight
Upon the wind-warped upland thorn, a gazer may think,
"To him this must have been a familiar sight."

If I pass during some nocturnal blackness, mothy and warm,
When the hedgehog travels furtively over the lawn,
One may say, "He strove that such innocent creatures should come to no harm,
But he could do little for them; and now he is gone."

If, when hearing that I have been stilled at last, they stand at the door,
Watching the full-starred heavens that winter sees,
Will this thought rise on those who will meet my face no more,
"He was one who had an eye for such mysteries"?

And will any say when my bell of quittance is heard in the gloom,
And a crossing breeze cuts a pause in its outrollings,
Till they rise again, as they were a new bell's boom,
"He hears it not now, but used to notice such things"?




from BBC Poetry

Twenty-One Love Poems, VI, by Adrienne Rich

Prelude in B minor, arranged for piano by Alexander Siloti
from Prelude in E minor BWV 855a by J. S. Bach
with Emil Gilels

Your small hands, precisely equal to my own -
only the thumb is larger, longer - in these hands
I could trust the world, or in many hands like these,
handling power-tools or steering-wheel
or touching a human face...such hands could turn
the unborn child rightways in the birth canal
or pilot the exploratory rescue-ship
through icebergs, or piece together
the fine, needle-like shreds of a great krater-cup
bearing on its sides
fingers of ecstatic women striding
to the sibyl's den or the Eleusinian cave -
such hands might carry out an unavoidable violence
with such restraint, with such a grasp
of the range and limits of violence
that violence ever after would be obsolete.


in The Fact of a Door Frame: Poems Selected and New, 1950-84, WW Norton & Co (1985)

Dark Prophecy: I Sing Of Shine, by Etheridge Knight

Johann Sebastian Bach - Concerto for Two Violins,
with Taro Hakase & Iwao Furusawa

And, yeah brothers
while white America sings about the unsinkable molly brown
(who was hustling the titanic
when it went down)
I sing to thee of Shine
the stoker who was hip enough to flee the fucking ship
and let the white folks drown
with screams on their lips
(jumped his black ass into the dark sea, Shine did,
broke free from the straining steel).
Yeah, I sing to thee of Shine
and how the millionaire banker stood on the deck
and pulled from his pockets a million dollar check
saying Shine Shine save poor me
and I'll give you all the money a black boy needs—
how Shine looked at the money and then at the sea
and said jump in muthafucka and swim like me—
and Shine swam on—Shine swam on—
and how the banker's daughter ran naked on the deck
with her pink tits trembling and her pants roun her neck
screaming Shine Shine save poor me
and I'll give you all the pussy a black boy needs—
how Shine said now pussy is good and that's no jive
but you got to swim not fuck to stay alive—
And Shine swam on Shine Swam on—

How Shine swam past a preacher afloating on a board
crying save me nigger Shine in the name of the Lord—
and how the preacher grabbed Shine's arm and broke his stroke—
how Shine pulled his shank and cut the preacher's throat—
And Shine swam on—Shine swam on—
And when news hit shore that the titanic had sunk
Shine was up in Harlem damn near drunk—


from afropoets.net