Ludwig van Beethoven - Symphony No. 7 in A major, Op. 92
with Leonard Bernstein
To pray you open your whole self To sky, to earth, to sun, to moon To one whole voice that is you. And know there is more That you can't see, can't hear Can't know except in moments Steadily growing, and in languages That aren't always sound but other Circles of motion. Like eagle that Sunday morning Over Salt River. Circles in blue sky In wind, swept our hearts clean With sacred wings. We see you, see ourselves and know That we must take the utmost care And kindness in all things. Breathe in, knowing we are made of All this, and breathe, knowing We are truly blessed because we Were born, and die soon, within a True circle of motion, Like eagle rounding out the morning Inside us. We pray that it will be done In beauty. In beauty.
Dmitri Shostakovich - Cello Concerto No. 1 in E-flat major, Op. 107, II. Moderato with Mstislav Rostropovich (1959)
... ...I would have loved you then, in
the hot, moist tropics of your young womanhood.
Then ... ...the stars were out and fat every night.
They remembered your name .............................................and called to you
as you bent down in the doorway of the whiteman's houses.
You savored each story they told you,
and remembered ...........................the way the stars entered your blood ...................................................................................at birth.
Maybe it was the Christians' language .........................................................that captured you,
or the bones that cracked in your heart each time
you missed the aboriginal music that you were.
But then, .............you were the survivor of the births
of your two sons. The oldest one hates you, and the other
wants to marry you. Now they live in another language
in Los Angeles ......................with their wives.
And you, ..............the stars return every night to call you back.
They have followed your escape .....................from the southern hemisphere .................................................................into the north.
Their voices echo out from your blood and you drink
the Christians' brandy and fall back into .........doorways in an odd moonlight. ................................................You sweat in the winter in the north,
and you are afraid, ........................... sweetheart.
M'Girl at Rhizome Cafe, Vancouver BC Coast Salish Territory, June 20 2009
Poetry can add its grain to an accumulation of consciousness against the idea that there is no alternative - that we're now just in the great flow of capitalism and it can never be any different - that this is human destiny, this is human nature. A poem can add its grain to all the other grains and that is, I think, a rather important thing to do.- Adrienne Rich
The poem has a social effect of some kind whether or not the poet wills it to have. It has a kenetic force, it sets in motion...elements in the reader that would otherwise remain stagnant. - Denise Levertov
Before, under, and through the wonderful terrible wrestling with words and music there is a state of mind which I’m calling ‘poetic attention’ ... a sort of readiness, a species of longing which is without the desire to possess, and it does not really wish to be talked about. - Don McKay