The Faces at Braga, by David Whyte

Wolfgang Amadeus Mozart - Laudate Dominum
from Vesperae solenne de confessore KV 339
with Lucia Popp

In monastery darkness
by the light of one flashlight
the old shrine room waits in silence

While above the door
we see the terrible figure,
fierce eyes demanding, "Will you step through?"

And the old monk leads us,
bent back nudging blackness
prayer beads in the hand that beckons.

We light the butter lamps
and bow, eyes blinking in the
pungent smoke, look up without a word,

see faces in meditation,
a hundred faces carved above,
eye lines wrinkled in the hand held light.

Such love in solid wood!
Taken from the hillsides and carved in silence
they have the vibrant stillness of those who made them.

Engulfed by the past
they have been neglected, but through
smoke and darkness they are like the flowers

we have seen growing
through the dust of eroded slopes,
then slowly opening faces turned toward the mountain.

Carved in devotion
their eyes have softened through age
and their mouths curve through delight of the carvers hand.

If only our own faces
would allow the invisible carver's hand
to bring the deep grain of love to the surface.

If only we knew
as the carver knew, how the flaws
in the wood led his searching chisel to the very core,

we would smile, too
and not need faces immobilized
by fear and the weight of things undone.

When we fight with our failing
we ignore the entrance to the shrine itself
and wrestle with the guardian, fierce figure on the side of good.

And as we fight
our eyes are hooded with grief
and our mouths are dry with pain.

If only we could give ourselves
to the blows of the carvers hands,
the lines in our faces would be the trace lines of rivers

feeding the sea
where voices meet, praising the features
of the mountain and the cloud and the sky.

Our faces would fall away
until we, growing younger toward death
every day, would gather all our flaws in celebration

to merge with them perfectly,
impossibly, wedded to our essence,
full of silence from the carver's hands.



from panhala.net

Postcard From Home, by Al Zolynas

W. A. Mozart - Non Più Di Fiori, La Clemenza di Tito
with Lucia Popp

Sitting on the deck, bare feet
on the railing, I watch and listen to
this day spilling out its myriad flow of details, one
after another, one on top of another, seamlessly,
with no apologies, not the slightest backing off:
two ruby-throated humming birds
drinking their sugar water, distant dogs
barking, the sudden shriek
of wood surrendering to a neighbor's power saw,
those boulders poking out of the hillside, another subdivision
materializing on the stripped land across the valley.
Each detail says "This!"
and has always and ever only said "This!"
Wish I were here.

The Whistle, by Kathy Mangan

Ciprian Porumbescu - Ballad for Violin and Piano

You could whistle me home from anywhere
in the neighborhood; avenues away,
I’d pick out your clear, alternating pair
of notes, the signal to quit my child’s play
and run back to our house for supper,
or a Saturday trip to the hardware store.
Unthrottled, wavering in the upper
reaches, your trilled summons traveled farther
than our few blocks. I’ve learned too, how your heart’s
radius extends, though its beat
has stopped. Still, some days a sudden fear darts
through me, whether it’s my own city street
I hurry across, or at a corner in an unknown
town: the high, vacant air arrests me—where’s home?


from Poetry Foundation

The insidious sound of the violin

A divinely charmed

.........................snake

.......................................Sent to coil

......................................................around heart

.......................................................................and soul

..................................................................................And leave

................................................................twin wounds

......................................................dripping

..............................................................F
....................................................................r
.......................................................................e
.....................................................................e

...........................................love and longing

.................................rivulets

.......................That join
  
..............................................the mighty

.......................................................................white river

...............i  ...........................................................................................vs
..................n .....................................................................................e
..........................i .......................................................................h
...................................t ....................................................c
............................................s ................................r
.................................................................a



........................................................between stars

Finding What You Didn't Lose, by John Fox

for M.


Edvard Grieg - Piano Concerto in A minor, Op.16, III

When someone deeply listens to you
it is like holding out a dented cup
you've had since childhood
and watching it fill up with
cold, fresh water.
When it balances on top of the brim,
you are understood.
When it overflows and touches your skin,
you are loved.
When someone deeply listens to you,
the room where you stay
starts a new life
and the place where you wrote
your first poem
begins to glow in your mind's eye.
It is as if gold has been discovered!
When someone deeply listens to you,
your bare feet are on the earth
and a beloved land that seemed distant
is now at home within you.


from panhala.net 

Dangerous Prayers, by Regina Sara Ryan

Pyotr Ilyich Tchaikovsky - Piano Concerto No. 1, III 
with Artur Rubinstein


Deliver us, O Truth, O Love, from quiet prayer
from polite and politically correct language,
from appropriate gesture and form
and whatever else we think we must put forth to invoke
or to praise You.

Let us instead pray dangerously –
wantonly, lustily, passionately.
Let us demand with every ounce of our strength,
let us storm the gates of heaven, let us shake up ourselves
and our plaster saints from the sleep of years.

Let us pray dangerously.
Let us throw ourselves from the top of the tower,
let us risk a descent to the darkest region of the abyss,
let us put our head in the lion’s mouth
and direct our feet to the entrance of the dragon’s cave.

Let us pray dangerously.
Let us not hold back a little portion,
dealing out our lives–our precious minutes and our energies–like some efficient accountant.
Let us rather pray dangerously — unsafe, profligate, wasteful!

Let us ask for nothing less than the Infinite to ravage us.
Let us ask for nothing less than annihilation in the
Fires of Love.

Let us not pray in holy half-measures nor walk
the middle path
for too long,
but pray madly, foolishly.
Let us be too ecstatic,
let us be too overwhelmed with sorrow and remorse,
let us be undone, and dismembered…and gladly.

Left to our own devices, ah what structures of deceit
we have created;
what battlements erected, what labyrinths woven,
what traps set for ourselves, and then
fallen into. Enough.

Let us pray dangerously — hot prayer, wet prayer, fierce prayer,
fiery prayer, improper prayer,
exuberant prayer, drunken and completely unrealistic prayer.

Let us say Yes, again and again and again.
and Yes some more.
Let us pray dangerously,

the most dangerous prayer is YES.



thank you Elaine for the poem

The Shell, by David Whyte

Pyotr Ilyich Tchaikovsky - Violin Concerto in D Major, Op. 35
Allegro moderato part I, with Itzhak Perlman

An open sandy shell
on the beach
empty but beautiful
like a memory
of a protected previous self.
The most difficult griefs
ones in which
we slowly open
to a larger sea, a grander
sweep that washes
all our elements apart.

So strange the way
we are larger
in grief
than we imagined
we deserved or could claim
and when loss floods
into us
like the long darkness it is
and the old nurtured hope
is drowned again
even stranger then
at the edge of the sea
to feel the hand of the wind
laid on our shoulder
reminding us
how death grants
a fierce and fallen freedom
away from the prison
of a constant
and continued presence,
how in the end
those who have left us
might no longer need us
with all our tears
and our much needed
measures of loss
and that their own death
is as personal
and private
as that life of theirs
which you never really knew,
and another disturbing thing,
that exultation
is possible
without them.

And they for themselves
in fact
are glad to have let go
of all the stasis
and the enclosure
and the need for them to live
like some prisoner
that you only wanted
to remain incurious
and happy in your love
never looking for the key
never wanting to
turn the lock and walk
away
like the wind
unneedful of you,
ungovernable,
unnamable,
free.


from Everything is Waiting for You


Allegro moderato part II