Finding What You Didn't Lose, by John Fox

for M.


Edvard Grieg - Piano Concerto in A minor, Op.16, III

When someone deeply listens to you
it is like holding out a dented cup
you've had since childhood
and watching it fill up with
cold, fresh water.
When it balances on top of the brim,
you are understood.
When it overflows and touches your skin,
you are loved.
When someone deeply listens to you,
the room where you stay
starts a new life
and the place where you wrote
your first poem
begins to glow in your mind's eye.
It is as if gold has been discovered!
When someone deeply listens to you,
your bare feet are on the earth
and a beloved land that seemed distant
is now at home within you.


from panhala.net 

Dangerous Prayers, by Regina Sara Ryan

Pyotr Ilyich Tchaikovsky - Piano Concerto No. 1, III 
with Artur Rubinstein


Deliver us, O Truth, O Love, from quiet prayer
from polite and politically correct language,
from appropriate gesture and form
and whatever else we think we must put forth to invoke
or to praise You.

Let us instead pray dangerously –
wantonly, lustily, passionately.
Let us demand with every ounce of our strength,
let us storm the gates of heaven, let us shake up ourselves
and our plaster saints from the sleep of years.

Let us pray dangerously.
Let us throw ourselves from the top of the tower,
let us risk a descent to the darkest region of the abyss,
let us put our head in the lion’s mouth
and direct our feet to the entrance of the dragon’s cave.

Let us pray dangerously.
Let us not hold back a little portion,
dealing out our lives–our precious minutes and our energies–like some efficient accountant.
Let us rather pray dangerously — unsafe, profligate, wasteful!

Let us ask for nothing less than the Infinite to ravage us.
Let us ask for nothing less than annihilation in the
Fires of Love.

Let us not pray in holy half-measures nor walk
the middle path
for too long,
but pray madly, foolishly.
Let us be too ecstatic,
let us be too overwhelmed with sorrow and remorse,
let us be undone, and dismembered…and gladly.

Left to our own devices, ah what structures of deceit
we have created;
what battlements erected, what labyrinths woven,
what traps set for ourselves, and then
fallen into. Enough.

Let us pray dangerously — hot prayer, wet prayer, fierce prayer,
fiery prayer, improper prayer,
exuberant prayer, drunken and completely unrealistic prayer.

Let us say Yes, again and again and again.
and Yes some more.
Let us pray dangerously,

the most dangerous prayer is YES.



thank you Elaine for the poem

The Shell, by David Whyte

Pyotr Ilyich Tchaikovsky - Violin Concerto in D Major, Op. 35
Allegro moderato part I, with Itzhak Perlman

An open sandy shell
on the beach
empty but beautiful
like a memory
of a protected previous self.
The most difficult griefs
ones in which
we slowly open
to a larger sea, a grander
sweep that washes
all our elements apart.

So strange the way
we are larger
in grief
than we imagined
we deserved or could claim
and when loss floods
into us
like the long darkness it is
and the old nurtured hope
is drowned again
even stranger then
at the edge of the sea
to feel the hand of the wind
laid on our shoulder
reminding us
how death grants
a fierce and fallen freedom
away from the prison
of a constant
and continued presence,
how in the end
those who have left us
might no longer need us
with all our tears
and our much needed
measures of loss
and that their own death
is as personal
and private
as that life of theirs
which you never really knew,
and another disturbing thing,
that exultation
is possible
without them.

And they for themselves
in fact
are glad to have let go
of all the stasis
and the enclosure
and the need for them to live
like some prisoner
that you only wanted
to remain incurious
and happy in your love
never looking for the key
never wanting to
turn the lock and walk
away
like the wind
unneedful of you,
ungovernable,
unnamable,
free.


from Everything is Waiting for You


Allegro moderato part II

All The Hemispheres, by Hafiz

Matthew Bourne's Swan Lake based on Tchaikovsky

Leave the familiar for a while.

Let your senses and bodies stretch out

Like a welcomed season

Onto the meadows and shores and hills.

Open up to the Roof.

Make a new water-mark on your excitement

And love.

Like a blooming night flower,

Bestow your vital fragrance of happiness

And giving

Upon our intimate assembly.

Change rooms in your mind for a day.

All the hemispheres in existence

Lie beside an equator

In your heart.

Greet Yourself

In your thousand other forms

As you mount the hidden tide and travel

Back home.

All the hemispheres in heaven

Are sitting around a fire

Chatting

While stitching themselves together

Into the Great Circle inside of

You.

from The Subject Tonight is Love - versions of Hafiz by Daniel Ladinsky

Truth Serum, by Naomi Shihab Nye

Frédéric Chopin – Prelude Op. 28, No. 15 (Raindrop Prelude)

We made it from the ground-up corn in the old back pasture.
Pinched a scent of night jasmine billowing off the fence,
popped it right in.
That frog song wanting nothing but echo?
We used that.
Stirred it widely. Noticed the clouds while stirring.
Called upon our ancient great aunts and their long slow eyes
of summer. Dropped in their names.
Added a mint leaf now and then
to hearten the broth. Added a note of cheer and worry.
Orange butterfly between the claps of thunder?
Perfect. And once we had it,
had smelled and tasted the fragrant syrup,
placing the pan on a back burner for keeping,
the sorrow lifted in small ways.
We boiled down the lies in another pan till they disappeared.
We washed that pan.


thank you vv

Having Come This Far, by James Broughton

Wolfgang Amadeus Mozart - Symphony No. 40, I

I've been through what my through was to be
I did what I could and couldn't
I was never sure how I would get there

I nourished an ardor for thresholds
for stepping stones and for ladders
I discovered detour and ditch

I swam in the high tides of greed
I built sandcastles to house my dreams
I survived the sunburns of love

No longer do I hunt for targets
I've climbed all the summits I need to
and I've eaten my share of lotus

Now I give praise and thanks
for what could not be avoided
and for every foolhardy choice

I cherish my wounds and their cures
and the sweet enervations of bliss
My book is an open life

I wave goodbye to the absolutes
and send my regards to infinity
I'd rather be blithe than correct

Until something transcendent turns up
I splash in my poetry puddle
and try to keep God amused.


from Panhala

Talking to Grief, by Denise Levertov

Gabriel Fauré - Piano Trio in D minor Op. 120, II
with the BannerArts Trio

Ah, Grief, I should not treat you
like a homeless dog
who comes to the back door
for a crust, for a meatless bone.
I should trust you.

I should coax you
into the house and give you
your own corner,
a worn mat to lie on,
your own water dish.

You think I don't know you've been living
under my porch.
You long for your real place to be readied
before winter comes. You need
your name,
your collar and tag. You need
the right to warn off intruders,
to consider
my house your own
and me your person
and yourself
my own dog.


vv, thank you
from poemhunter.com