Friday, August 7, 2009

After great pain, a formal feeling comes, by Emily Dickinson


Giuseppe Verdi - Lacrymosa dies illa, Messa da Requiem
Anna Tomowa-Sintow, Agnes Baltsa, José Carreras, José Van Dam; Wiener Philharmoniker
Balgarska Chorova Kapela Svetoslav Obretenov and Herbert von Karajan


After great pain, a formal feeling comes --
The Nerves sit ceremonious, like Tombs
The stiff Heart questions, was it He, that bore,
And Yesterday, or Centuries before?

The Feet, mechanical, go round --
Of Ground, or Air, or Ought --
A Wooden way
Regardless grown,
A Quartz contentment, like a stone --

This is the Hour of Lead --
Remembered, if outlived,
As Freezing persons, recollect the Snow --
First -- Chill -- then Stupor -- then the letting go --


Giuseppe Verdi - Lux aeterna, Messa da Requiem


poem from PoemHunter.com
for music info see resonances

17 comments:

  1. As Freezing persons, recollect the Snow --
    First -- Chill -- then Stupor -- then the letting go -

    unbelievable. thanks you for sharing this

    vv

    ReplyDelete
  2. unbelievable indeed... a gift to have found it, and to be able to share it, as someone else said :)

    ReplyDelete
  3. Manuela, consider the aeternam section of the Verdi Requiem as music. I like this poem and find it very moving.

    ReplyDelete
  4. thanks Prospero, I'm going to have a look now - or a listen :)

    ReplyDelete
  5. what i would really like to do is bring the whole requiem here and wrap it around the poem. i feel it all belongs here...

    - thank you for the resonance, Prospero

    ReplyDelete

  6. Lacrymosa dies illa
    with
    Claudio Abbado & Orchestra Sinfonica della RAI di Roma
    Renata Scotto - Soprano, Marilyn Horne - Mezzo-soprano
    Luciano Pavarotti - Tenor, Nicolai Ghiaurov - Bass
    Live, Roma - 10 October 1970

    Lux aeterna (added Aug13) with
    Paul Daniel & Orchestre National de Lyon & Choeur Philharmonique de Prague
    Luba Orgonasova - soprano, Vesselina Kasarova - mezzo-soprano
    Fabio Sartori - tenor, Dean Peterson - bass
    Festival du musique Montreux - Vevey, 15 September 1998

    ReplyDelete
  7. Manuele, the lux aeterna is not the section i'm thinking of, though.

    What i'm thinking of is in the Libera me section.

    ReplyDelete
  8. yes, i wasn't entirely sure which section you meant, but as i was listening to this and that and then the other section, i felt like i should put them all here. this was the last i listened to so i brought this here - and i also liked the idea of having eternal light at the end of the poem.

    ReplyDelete
  9. that section goes really well, too - thanks!

    ReplyDelete
  10. Here's a link for the Requiem Aeternam:

    http://www.vivacechorus.org/site/join-us/extracts/126-verdi-requiem-aeternam

    This just destroys me.

    ReplyDelete
  11. it is fascinating to witness the dialogue between you and Prospero on this blog :-)

    but hey, where is the new post gone? i still have it in my mails, you know :-P no use hiding it.

    i am exhausted after fighting blogger (si restul!) - now i will go take some sleep.

    waiving at both of you :-)

    ReplyDelete
  12. roxana! such a joy to have you back! i hope you're getting good rest, and will be ready to take on blogger (si restul) again tomorrow. mega support is being sent your way :)

    so, you have the poem, do you... indeed no point hiding it, then. i felt it was more an outburst and less a poem, but i'll put it back.

    ReplyDelete
  13. what a beautiful recording, Prospero - thank you! i was heartbroken by the time it stopped and yet didn't want it to end.

    ReplyDelete
  14. sorry, i couldn't leave the other post. i don't like it and i've fiddled so much with it i think i tore it to shreds. good riddance. at least it lead me to the music, no doubt the right poem for that will come along at some point.

    ReplyDelete
  15. the problem with posting Emily's poem is that anything coming after hers feels clumsy, wordy, and superfluous...

    ReplyDelete
  16. yes, the right poem will come along, i am sure of it. i know how hard it is when something just doesn't want to fit, i had tried to write something for some butterfly pictures and i have been fiddling with it for months now, to no avail :-) and i don't think i have such acute consciousness of my responsability towards the poem, as you do. still...
    but then you have your music, and i have my images :-)

    ReplyDelete
  17. it's funny, i'd rather have used those words for you, roxana - acute consciousness of my responsability

    it's hard to let go and wait until it's ready to fit, or until i'm able to hear the fit. or to accept that there's no fit (though i don't really believe in that)

    ReplyDelete

Note: Only a member of this blog may post a comment.